I’ve never been–perhaps to my shame–a citizen of writing. I don’t belong to writers’ organizations, or attend writers’ talks and panels, or lunch with publishing potentates. I don’t hang out with writers. Writers tend to be not as interesting as they think. What they mainly want to talk about is their own writing, and they also have a ton of grievances, their conversation quick to alight on the perfidy of publishers, the lassitude of editors and agents, and the myopia of critics who reviewed–or didn’t review–their last book.
I’m a lone craftsman, not unlike a potter or a cabinetmaker, shaping and reshaping my materials to create an object that pleases me–nobody else–and when it’s done I send it forth into the world. I don’t have an agent. I never show my writing to other writers; their agenda is not my agenda. For the objective judgment and emotional support that every writer needs I depend on the individual editors of my books and magazine articles–fellow craftsmen–and on a few trusted friends. …
It may seem perverse that I compare my writing to plumbing, an occupation not regarded as high-end. But to me all work is equally honorable, all crafts an astonishment when they are performed with skill and self-respect. Just as I go to work every day with my tools, which are words, the plumber arrives with his kit of wrenches and washers, and afterward the pipes have been so adroitly fitted together that they don’t leak. I don’t want any of my sentences to leak. The fact that someone can make water come out of a faucet on the 10th floor strikes me as a feat no less remarkable than the construction of a clear declarative sentence.
Read the entire piece here.
Find the Zinsser on Friday archive here.
Find a list of William Zinnser’s books here, and read them. He is one of the best writing teachers around, for the price of a book, and, nowadays, a rare fount of common sense. As his Zinsser on Friday pieces prove.