• About Farm School

    "There are obviously two educations. One should teach us how to make a living and the other how to live."
    James Adams, from his essay "To 'Be' or to 'Do': A Note on American Education", 1929

    We're a Canadian family of five, farming, home schooling, and building our own house. I'm nowhere near as regular a blogger as I used to be.

    The kids are 18/Grade 12, 16/Grade 11, and 14/Grade 10.

    Contact me at becky(dot)farmschool(at)gmail(dot)com

  • Notable Quotables

    "If you want a golden rule that will fit everybody, this is it: Have nothing in your houses that you do not know to be useful, or believe to be beautiful."
    William Morris, from his lecture "The Beauty of Life"

    "‘Never look at an ugly thing twice. It is fatally easy to get accustomed to corrupting influences."
    English architect CFA Voysey (1857-1941)

    "The world of books is the most remarkable creation of man. Nothing else that he builds ever lasts. Monuments fall, nations perish, civilizations grow old and die out; and, after an era of darkness, new races build others. But in the world of books are volumes that have seen this happen again and again, and yet live on, still young, still as fresh as the day they were written, still telling men’s hearts of the hearts of men centuries dead."
    Clarence Day

    "Anyone who has a library and a garden wants for nothing."
    Cicero

    "Histories make men wise; poets, witty; the mathematics, subtile; natural philosophy, deep; moral, grave; logic and rhetoric, able to contend."
    Sir Francis Bacon, "Essays"

    "The chief aim of education is to show you, after you make a livelihood, how to enjoy living; and you can live longest and best and most rewardingly by attaining and preserving the happiness of learning."
    Gilbert Highet, "The Immortal Profession: The Joys of Teaching and Learning"

    "Good judgment comes from experience. Experience comes from bad judgment."
    Walter Wriston

    "I'd like to give you a piece of my mind."
    "Oh, I couldn't take the last piece."
    Ginger Rogers to Frances Mercer in "Vivacious Lady" (1938)

    "No race can prosper till it learns that there is as much dignity in tilling a field as in writing a poem."
    Booker T. Washington

    "Please accept my resignation. I don’t care to belong to any club that will have me as a member."
    Attributed to Groucho Marx in "The Groucho Letters" by Arthur Sheekman

    "If you can't say something good about someone, sit right here by me."
    Alice Roosevelt Longworth

    "If we bring a little joy into your humdrum lives, we feel all our hard work ain't been in vain for nothin'."
    Jean Hagen as "Lina Lamont" in "Singin' in the Rain" (1952)
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  • Copyright © 2005-2016 Please do not use any of my words or my personal photographs without my express permission.

Christmas Eve: In appreciation of Dudley

(as well as Clarence) at Christmas, from Verlyn Klinkenborg, in today’s Times,

We watched “The Bishop’s Wife” at our house the other night. Some years at Christmas we hang a wreath from the kitchen door, and some years we decorate a tree. But we always find an evening to watch “The Bishop’s Wife.” The camera hovers in the night over a lamp-lit city and descends onto its snow-fallen streets, which are thick with Christmas. Then comes Cary Grant, playing an angel named Dudley, the rather oblique answer to David Niven’s — the bishop’s — prayers. I suppose it is only natural for an angel in 1947, the year “The Bishop’s Wife” was released, to be supremely well tailored and to say, as a token of his celestial nature, that he never “uses” a hat. …

Most Christmas movies are tales of redemptive hysteria — witness the stuttering ecstasy of Alastair Sim in “A Christmas Carol” or Jimmy Stewart’s desperate happiness in the last scenes of “It’s a Wonderful Life.” I always wonder how the world looked to them a few weeks later, once the giddiness wore off. But “The Bishop’s Wife” is not about redemption. It is about understanding your choices or, perhaps, knowing the true implications of your desires. It alludes to the past but does not depend on recovering it. It looks around this grim world and sees that what it needs is not a cathedral but charity.

This is a modest movie, but it has its exaltations. One is a choir practice at an inner city church directed, angelically, by Dudley, a rehearsal that is as much a symphony in late-1940s plaids, worn by the choirboys, as it is a heralding of salvation. And I am always struck, every year, by the quiet way this movie addresses the atheism of an old history professor, played by the great character actor Monty Woolley. In the end, of course, he is led to church, but he enters quizzically, standing on the steps of St. Timothy’s in the falling snow and looking round as if to wonder what impulse could have brought him there.

You can never have enough angels at Christmas. Besides, as I learned from my mother many, many years ago, what could be better at Christmas than Cary Grant and David Niven, gift wrapped?

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